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Photo album manufacturers responded by producing albums with pages primarily for cabinet cards with a few pages in the back reserved for the old family carte de visite prints. For nearly three decades after the 1860s, the commercial portraiture industry was dominated by the carte de visite and cabinet card formats.
The carte de visite was usually an albumen print from a collodion negative on thin paper glued onto a thicker paper card. The size of a carte de visite is 54 mm (2.125 in) × 89 mm (3.5 in) (approximately the size of a business card ), mounted on a card sized 64 mm (2.5 in) × 100 mm (4 in). The reverse was generally printed with the logo of ...
A typical 1940s–early 1950s black and white real photo postcard. A real photo postcard ( RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard images.
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A business card typically includes the giver's name, company or business affiliation (usually with a logo) and contact information such as street addresses, telephone number (s), fax number, e-mail addresses and website. Before the advent of electronic communication, business cards also included telex details. [3]
Visiting card. A visiting card, also called a calling card, was a small, decorative card that was carried by individuals to present themselves to others. It was a common practice in the 18th and 19th century, particularly among the upper classes, to leave a visiting card when calling on someone (which means to visit their house or workplace).
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