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Clothing was a target in some street robberies, and in thefts from the public baths; [83] it was re-sold and recycled down the social scale, until it fell to rags; even these were useful, and centonarii ("patch-workers") made a living by sewing clothing and other items from recycled fabric patches. [84]
A Celtic cross symbol. The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France and Great Britain in the Early Middle Ages.A type of ringed cross, it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelised by Irish missionaries, from the ninth through the 12th centuries.
A folk costume (also regional costume, national costume, traditional clothing, traditional garment or traditional regalia) expresses a national identity through clothing or costume, which is associated with a specific region and period of time in history. Furthermore it can indicate social, marital, or religious status.
In Ireland, "La Tène ornamented material from the third to fifth centuries AD is difficult to demonstrate [from Ireland]". [1]In the 6th to 8th centuries the art of the newly Christianised Irish mixed with Mediterranean and Germanic traditions through Irish missionary contacts with the Anglo-Saxons, creating what is called Insular art (or the Hiberno-Saxon style) and such masterpieces as the ...
Pubs have gradually replaced the traditional setting of the Cèilidh house, and melodramatic non-traditional rebel songs and 'ballads' are often preferred to sean-nós songs. [1] Traditional sean-nós singing has survived in Connemara to a greater extent than in any other region. [1]
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
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