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A funeral procession in the Philippines, 2009. During the Pre-Hispanic period the early Filipinos believed in a concept of life after death. [1] This belief, which stemmed from indigenous ancestral veneration and was strengthened by strong family and community relations within tribes, prompted the Filipinos to create burial customs to honor the dead through prayers and rituals.
A Christian burial is the burial of a deceased person with specifically Christian rites; typically, in consecrated ground. Until recent times Christians generally objected to cremation because it interfered with the concept of the resurrection of a corpse, and practiced inhumation almost exclusively.
Coffin. A shop window display of coffins at a Polish funeral director's office. A casket showroom in Billings, Montana, depicting split lid coffins. A coffin is a funerary box used for viewing or keeping a corpse, for either burial or cremation. Coffins are sometimes referred to as a casket, particularly in American English.
Coins for the dead is a form of respect for the dead or bereavement. The practice began in classical antiquity when people believed the dead needed coins to pay a ferryman to cross the river Styx. In modern times the practice has been observed in the United States and Canada: visitors leave coins on the gravestones of former military personnel.
The veneration of the dead, including one's ancestors, is based on love and respect for the deceased. In some cultures, it is related to beliefs that the dead have a continued existence, and may possess the ability to influence the fortune of the living. Some groups venerate their direct, familial ancestors.
Construction. A stone box grave is a coffin of stone slabs arranged in a rectangular shape, into which a deceased individual was placed. Common materials used for construction of the graves were limestone and shale, both varieties of stone which naturally break into slab-like shapes. The materials for the bottom of the graves often varies.
Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display.
Kuleshov edited a short film in which a shot of the expressionless face of Tsarist matinee idol Ivan Mosjoukine was alternated with various other shots (a bowl of soup, a girl in a coffin, a woman on a divan). The film was shown to an audience who believed that the expression on Mosjoukine's face was different each time he appeared, depending ...