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  2. FM (No Static at All) - Wikipedia

    en.wikipedia.org/wiki/FM_(No_Static_at_All)

    FM (No Static at All) " FM (No Static at All) " is a song by American jazz-rock band Steely Dan, the title theme for the 1978 film FM. It made the US Top 40 that year when released as a single, a success relative to the film. Musically, it is a complex jazz-rock composition driven by its bass, guitar and piano parts, typical of the band's sound ...

  3. Stuck in the Middle with You - Wikipedia

    en.wikipedia.org/wiki/Stuck_in_the_Middle_with_You

    " Stuck in the Middle with You " (sometimes known as " Stuck in the Middle ") is a song written by Scottish musicians Gerry Rafferty and Joe Egan and performed by their band Stealers Wheel.

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The '50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1][2] the doo-wop progression[3]: 204 and the " ice cream changes " [4]) is a chord progression and turnaround used in Western popular music.

  5. List of musical symbols - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_symbols

    List of musical symbols. Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections ...

  6. How to Disappear Completely - Wikipedia

    en.wikipedia.org/wiki/How_to_Disappear_Completely

    The song is played in the key of F ♯ minor in a 6 8 time signature with a tempo of 102 beats per minute (BPM), [74] [75] while Yorke's vocals span a range of C ♯ 4 to A 5, [75] which he performed in a "long-drawn-out" falsetto. [76] The chord progression follows a sequence of C add9 –Em–Em 6 –G–G sus4 –D–D add4 –EM 6. [75]

  7. Common chord (music) - Wikipedia

    en.wikipedia.org/wiki/Common_chord_(music)

    Common chord in the keys of G, D, and A major; as well as E, B, and F ♯ minor. A common chord, in the theory of harmony, is a chord that is diatonic to more than one key or, in other words, is common to (shared by) two keys. [1] A "common chord" may also be defined simply as a triadic chord [2] (e.g., C–E–G), as one of the most commonly used chords in a key (I–IV–V–vi–ii–iii ...

  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).

  9. F minor - Wikipedia

    en.wikipedia.org/wiki/F_minor

    F minor is a minor scale based on F, consisting of the pitches F, G, A ♭, B ♭, C, D ♭, and E ♭. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has six single sharps and the double sharp F, which makes it impractical to use.