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One of several songs that Bowie wrote about Orwell's Nineteen Eighty-Four; Bowie had also hoped to produce a televised musical based on the book. [31] "2112" 2112: Rush: Anthem: Ayn Rand: Song shares themes with the novel, such that Neil Peart recognized Rand in the album's liner notes. [32] "Abigail" Creatures: Motionless in White: The ...
In 2004, CCM Magazine ranked it as the fourth-best song in Christian music It is the most-played song in the history of Christian radio as well as the best-selling Christian song of all time. [1] It has been certified five-times platinum by the Recording Industry Association of America (RIAA), and as of April 2018, it has sold over 2.5 million ...
Edgar Allan Poe and music. Music related to Anne Rice's novels. Works inspired by J. R. R. Tolkien [1] Music based on the works of Oscar Wilde. List of songs based on poems. Romeo and Juliet (Prokofiev) A Midsummer Night's Dream (Mendelssohn)
"Young and Beautiful" is a song by American singer and songwriter Lana Del Rey used for the soundtrack to the drama film The Great Gatsby. Contemporary music critics lauded the single, calling it "haunting" and "somber". Lyrically, "Young and Beautiful" follows a young
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Jackson also directed the music video for "Now and Then". [12] The song received widespread acclaim from critics, who felt it was a worthy finale for the Beatles. It topped the charts in the United Kingdom, Germany, and Austria, and reached the top ten in Australia, Belgium, Canada, Ireland, the Netherlands, Sweden, Switzerland, and the United ...
Diegetic music, also called source music, is music that is part of the fictional world portrayed in a piece of narrative media (such as a film, show, play, or video game) and is thus knowingly performed and/or heard by the characters. [1] This is in contrast to non-diegetic music, which refers to incidental music or a score that is heard by the ...
John Lissauer. " Hallelujah " is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, [ 1 ] the song found greater popular acclaim through a new version recorded by John Cale in 1991. Cale's version inspired a 1994 recording by Jeff Buckley that in 2004 was ...