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The Black Halo is a concept album based on Faust, Part Two. It is a follow-up to Epica, which was based on Faust, Part One. All 30 tracks are related to Lovecraft or his work. Based on aspects of the works of Moorcock, including Elric and Jerry Cornelius.
Edgar Allan Poe and music. Music related to Anne Rice's novels. Works inspired by J. R. R. Tolkien [1] Music based on the works of Oscar Wilde. List of songs based on poems. Romeo and Juliet (Prokofiev) A Midsummer Night's Dream (Mendelssohn)
Fun With Dick and Jane. Dick and Jane are the two main characters created by Zerna Sharp for a series of basal readers written by William S. Gray to teach children to read. The characters first appeared in the Elson-Gray Readers in 1930 and continued in a subsequent series of books through the final version in 1965.
Absolute music (sometimes abstract music) is music that is not explicitly "about" anything; in contrast to program music, it is non-representational. [1] The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where ...
Diegetic music, also called source music, is music that is part of the fictional world portrayed in a piece of narrative media (such as a film, show, play, or video game) and is thus knowingly performed and/or heard by the characters. [1] This is in contrast to non-diegetic music, which refers to incidental music or a score that is heard by the ...
Tarzan & Jane (song) Tarzan Boy. Tea in the Sahara. Till We Have Faces (Over the Rhine album) Till We Have Faces (Steve Hackett album) To the Stars (album) The Tragic Treasury: Songs from A Series of Unfortunate Events. The Trail of the Lonesome Pine (song) Transylvania (Nox Arcana album)
A music video was produced for each of the three versions; death is a recurring theme in all of these videos, fitting in with the suggestion in Virgin Records' press release for Original Sin that "in Steinman's songs, the dead come to life and the living are doomed to die".
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