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  2. Cross-beat - Wikipedia

    en.wikipedia.org/wiki/Cross-beat

    The composite melody is an embellishment of the 6:4 cross-rhythm. (Clave Matrix p. ... this is the same as having duple cross-beats in a triple beat scheme, such as 3

  3. Polyrhythm - Wikipedia

    en.wikipedia.org/wiki/Polyrhythm

    Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval Polyrhythm (/ ˈ p ɒ l i r ɪ ð əm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]

  4. Metre (music) - Wikipedia

    en.wikipedia.org/wiki/Metre_(music)

    Compound triple: three beats to a bar, each divided by three, the top number being "9" (9 8, 9 16, 9 4) If the beat is divided into two the metre is simple, if divided into three it is compound. If each bar is divided into two it is duple and if into three it is triple. Some people also label quadruple, while some consider it as two duples.

  5. Triple metre - Wikipedia

    en.wikipedia.org/wiki/Triple_metre

    Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a primary division of 3 beats to the bar, usually indicated by 3 ( simple) or 9 ( compound) in the upper figure of the time signature, with 3. 4, 3. 8 and 9. 8 being the most common examples. In these signatures, beats form groups of three ...

  6. Rhythm - Wikipedia

    en.wikipedia.org/wiki/Rhythm

    A composite rhythm is the durations and patterns (rhythm) produced by amalgamating all sounding parts of a musical texture. In music of the common practice period , the composite rhythm usually confirms the meter , often in metric or even-note patterns identical to the pulse on a specific metric level.

  7. Sextuple metre - Wikipedia

    en.wikipedia.org/wiki/Sextuple_metre

    Sextuple metre (Am. meter) or sextuple time (chiefly British) is a musical metre characterized by six beats in a measure. Like the more common duple, triple, and quadruple metres, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple sextuple metre are 6. 16.

  8. Additive rhythm and divisive rhythm - Wikipedia

    en.wikipedia.org/wiki/Additive_rhythm_and...

    In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter : A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units. 8.

  9. Quintuple meter - Wikipedia

    en.wikipedia.org/wiki/Quintuple_meter

    Simple quintuple meter can be written in 54 or 58 time, but may also be notated by using regularly alternating bars of triple and duple meters, for example 24 + 34. Compound quintuple meter, with each of its five beats divided into three parts, can similarly be notated using a time signature of 158, by writing triplets on each beat of a simple ...