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One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
The Good Samaritan window is located on the south wall of the nave (Bay 44). Trade windows first appeared at the cathedrals of Chartres and Bourges between 1200 and 1210. The 176 windows of Chartres present 125 depictions of tradesmen engaged in twenty-five different occupations making, transporting, and selling their products in forty-two ...
The Fairford stained glass is a set of 28 pre- Reformation stained glass windows located in St Mary's Church, Fairford, Gloucestershire. The medieval stained glass panes are of national historical and architectural importance as they constitute what is "probably the most complete set of medieval stained glass in Britain" consisting of 28 ...
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
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Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator. He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [ 1] His glass is distinguished by the finesse of its drawing and his use of rich colours, and an innovative integration of ...
This is a partial list of works by English stained glass artist, Karl Parsons (1884–1934), for churches and cathedrals. In writing about his craft Parsons wrote that to be worthy of it the stained glass artist had to have "a vocation for his job. He must be an artist who loves glass, the look and the feel and the mystery of it.