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The Chosen One (Spanish: El Elegido) is a fantasy television series developed by Everardo and Leopoldo Gout, and Jorge Dorantes for Netflix.The series is based on the 2004–23 comic book series American Jesus (initially titled Chosen) by Mark Millar and Peter Gross, and follows a boy who discovers he has the abilities of Jesus Christ.
On the review aggregation website Rotten Tomatoes gave the series an approval rating 83% of based on reviews from 6 critics. [9] On Metacritic it has a score of 74 out of 100 based on reviews from 6 critics, indicating "generally favorable reviews".
The Resistance Banker (Dutch: Bankier van het Verzet) is a 2018 Dutch World War II period drama film directed by Joram Lürsen. [3] It is based on the life of banker Walraven van Hall who financed the Dutch resistance during the war. [4]
Traitors is a British television drama miniseries created by Bathsheba Doran and broadcast by Channel 4 and Netflix in 2019. Set in 1945 London after the end of World War Two, Traitors follows a young woman recruited by the American Office of Strategic Services to identify a Soviet spy in the Cabinet Office.
Spycraft is a 2021 American docuseries created for Netflix. [1] Each episode details a different method used by countries in the craft of espionage from World War I era to present day, which is shown through expert interviews and archival footage. [2] [3] The series was released on January 20, 2021. [4]
Netflix is an American global on-demand Internet streaming media provider, that has distributed a number of original programs, including original series, specials, miniseries, documentaries and films. Netflix's original films also include content that was first screened on cinematic release in other countries or given exclusive broadcast in ...
The Tel Aviv-based startup Adapt Entertainment is based around proprietary machine learning process, named Plato, that uses AI to modify actors' faces within film and television shows in order to make it appear that those actors are speaking another language, as a substitute for dubbing. [12]
[19] Blake Goble at Consequence of Sound panned the film, saying "McG's hyper-referential slasher comedy fails as a horror movie and meta-commentary alike." Furthermore, he called the film "heinous" and suggested various other insults to describe the film, concluding with, "It can't be stated emphatically enough – stay away from The Babysitter ."