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Face Value is the debut solo studio album by English drummer and singer-songwriter Phil Collins, released on 13 February 1981 by Virgin Records. [ 10][ 11] After his first wife filed for divorce in 1979, Collins began to write songs during a break in activity from Genesis with much of the material concerning his personal life.
ClipGrab is a donationware [2] video download manager, allowing the download of videos from a variety of websites such as YouTube, Vimeo, Dailymotion or Facebook.It has been praised for its user-friendliness, but also flagged as malware by security software.
We Wait and We Wonder. " We Wait and We Wonder " is the third and final single by Phil Collins from his 1993 album Both Sides. It did not launch the album to the similar heights his previous efforts had achieved. It enjoyed similar success to the previous singles from the album, reaching number 45 on the UK Singles Chart, but failing to chart ...
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Length. 3:35. Label. Capitol. Songwriter (s) William Nicholls. " I Can't Stop Loving You (Though I Try) " is a song written by singer-songwriter William Nicholls and first recorded by his short-lived project, White Horse – a collaboration between himself, Kenny Altman, and Jon Lind – and featured on the group's 1977 self-titled album.
November 7, 2023 at 12:54 PM. Dr. Phil Show Facebook page. Dr. Phil McGraw has announced the launch of his new cable network called “ Merit Street Media” based in Fort Worth, where he will ...
The accompanying music video for "Both Sides of the Story", mainly shot in New York, follows the lyrics of the song. The first section cuts between Collins singing and images of a gutter and homeless people. The second section shows Collins inside a house, sitting on the stairs. He watches a married couple arguing, while their children watch.
The Wall of Sound (also called the Spector Sound) [ 1][ 2] is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew". The intention was to exploit the possibilities of ...