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Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
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Both men's and women's clothing was trimmed with bands of decoration, variously embroidery, tablet-woven bands, or colourful borders woven into the fabric in the loom. [ 6 ] [ 7 ] The famous Anglo-Saxon opus anglicanum needlework was sought-after as far away as Rome.
A woodblock print by Yōshū Chikanobu showing Japanese women in Western-style clothes, hats, and shoes (yōfuku)Japanese clothing during the Meiji period (1867–1912) saw a marked change from the preceding Edo period (1603–1867), following the final years of the Tokugawa shogunate between 1853 and 1867, the Convention of Kanagawa in 1854 – which, led by Matthew C. Perry, forcibly opened ...
Fashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable " fashion " in clothing, [ 1 ] in which Fernand Braudel concurs. [ 2 ]
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
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