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A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.
v. t. e. Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. [1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. [2]
According to the Hockney–Falco thesis, such devices were central to much of the great art from the Renaissance period to the dawn of modern art. The Hockney–Falco thesis is a theory of art history, advanced by artist David Hockney and physicist Charles M. Falco. Both argued that advances in realism and accuracy in the history of Western art ...
Overview and definition. Modernism was a cultural movement that impacted the arts as well as the broader Zeitgeist. It is commonly described as a system of thought and behavior marked by self-consciousness or self-reference, prevalent within the avant-garde of various arts and disciplines. [ 13]
Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University.He was best known for having been a long-time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action.
Paul Klee Notebooks. Paul Klee Notebooks is a two-volume work by the Swiss-born artist Paul Klee that collects his lectures at the Bauhaus schools in 1920s Germany and his other main essays on modern art. These works are considered so important for understanding modern art that they are compared to the importance that Leonardo's A Treatise on ...
Jonathan Crary. Jonathan Crary is an American art critic and essayist and is the Meyer Schapiro Professor of Modern Art and Theory at Columbia University. His first notable works were Techniques of the Observer: On Vision and Modernity in the 19th Century (1990), and Suspensions of Perception: Attention, Spectacle, and Modern Culture (2000).
Contemporary art is a term used to describe the art of today, and it generally refers to art produced from the 1970s onwards. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging ...
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