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Totem poles ( Haida: gyáaʼaang) [1] are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the ...
Nathan Jackson (born August 29, 1938) [1] is an Alaska Native artist. He is among the most important living Tlingit artists [2] and the most important Alaskan artists. [3] He is best known for his totem poles, but works in a variety of media. Jackson belongs to the Sockeye clan on the Raven side of the Chilkoot Tlingit. [1]
Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
The Nisga'a and Haida Crest Poles of the Royal Ontario Museum are a collection of four large totem poles (sometimes referred to as "crest poles"), hand carved from western red cedar by the Nisga’a people and Haida people of British Columbia 's coast. The poles are referred to as: Three Persons Along (Nisga'a); the Pole of Sag̱aw̓een (Nisga ...
Designated NHL. May 5, 1977. Designated CP. June 22, 1970. The Pioneer Square totem pole, also referred to as the Seattle totem pole and historically as the Chief-of-All-Women pole, is a Tlingit totem pole located in Pioneer Square in downtown Seattle, Washington . The original totem pole was carved in 1790 and raised in the Tlingit village on ...
The conservation and restoration of totem poles is a relatively new topic in the field of art conservation. Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals. Conservation activities include the historical ...
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