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The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...
In Indian aesthetics, a rasa ( Sanskrit: रस) literally means "juice, essence or taste". [1] [2] It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. [2] It refers to the emotional flavors/essence crafted ...
e. The Alankara Shastra is the traditional Indian science of aesthetics that deals with the principles and techniques of literary composition and ornamentation. It is an important aspect of Indian literary criticism and aims to enhance the beauty and expressiveness of literary works. It is based on the concept that literary works should be ...
He was also considered an influential musician, poet, dramatist, exegete, theologian, and logician – a polymathic personality who exercised strong influences on Indian culture. [6] [7] Abhinavagupta was born in a Kānyakubja Brāhmin family of scholars and mystics whose ancestors immigrated from Kannauj on invitation by the great king of ...
Hāsya. Hāsya ( Sanskrit: हास्य) is a Sanskrit word [1] for one of the nine rasas or bhava (mood) of Indian aesthetics, usually translated as humour or comedy. [2] [3] The colour associated with hasya is white and deity, Pramatha, [4] and leads to exultation of the mind. [5]
The theory of sphoṭa is associated with Bhartṛhari ( c. 5th century [1] ), an early figure in Indic linguistic theory, mentioned in the 670s by Chinese traveller Yijing. Bhartṛhari is the author of the Vākyapadīya (" [treatise] on words and sentences "). The work is divided into three books, the Brahma-kāṇḍa, (or Āgama-samuccaya ...
Bharat Mata by Abanindranath Tagore (1871–1951), a nephew of the poet Rabindranath Tagore, and a pioneer of the movement. The modern Indian art movement in Indian painting is considered to have begun in Calcutta in the late nineteenth century. The old traditions of painting had more or less died out in Bengal and new schools of art were ...
Viswanatha Kaviraja. Viśvanātha Kavirāja, most widely known for his masterpiece in aesthetics, Sāhityadarpaṇa, [ 1] was a prolific poet, scholar, and rhetorician who ascended literary heights during the reigns of two successive Eastern Ganga rulers of Kalinga (India) (the modern Orissa) – King Narasimha Deva IV and King Nishanka ...