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The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...
In Indian aesthetics, a rasa ( Sanskrit: रस) literally means "juice, essence or taste". [1] [2] It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. [2] It refers to the emotional flavors/essence crafted ...
e. The Alankara Shastra is the traditional Indian science of aesthetics that deals with the principles and techniques of literary composition and ornamentation. It is an important aspect of Indian literary criticism and aims to enhance the beauty and expressiveness of literary works. It is based on the concept that literary works should be ...
e. Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste; and functions as the philosophy of art. [ 1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [ 2] thus, the function of aesthetics is the "critical ...
M. Hiriyanna. Mysore Hiriyanna (1871–1950) [1] was an eminent Indian philosopher, Sanskrit scholar and authority on Indian aesthetics. [2] He was a Professor of Sanskrit at the University of Mysore and a contemporary of Sarvepalli Radhakrishnan. His classes on Indian Philosophy were comprehensive.
He was also considered an influential musician, poet, dramatist, exegete, theologian, and logician – a polymathic personality who exercised strong influences on Indian culture. [6] [7] Abhinavagupta was born in a Kānyakubja Brāhmin family of scholars and mystics whose ancestors immigrated from Kannauj on invitation by the great king of ...
The Indian aesthetics tradition traces to the Vedic era texts of Hinduism. The Aitareya Brahmana (~1000 BCE) in section 6.27, for example, states the arts are a refinement of the self (atma-samskrti). [32]
Hāsya. Hāsya ( Sanskrit: हास्य) is a Sanskrit word [1] for one of the nine rasas or bhava (mood) of Indian aesthetics, usually translated as humour or comedy. [2] [3] The colour associated with hasya is white and deity, Pramatha, [4] and leads to exultation of the mind. [5]