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The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
On Monsieur's Departure. "On Monsieur’s Departure" is an Elizabethan poem attributed to Elizabeth I. It is written in the form of a meditation on the failure of her marriage negotiations with Francis, Duke of Anjou, but has also been attributed to her alleged affair with, and love of, Robert Dudley, 1st Earl of Leicester .
Johnson recognizes 1775 poems, and Franklin 1789; however each, in a handful of cases, categorizes as multiple poems lines which the other categorizes as a single poem. This mutual splitting results in a table of 1799 rows. Columns. First Line: Most of the first lines link to the poem's text (usually its first publication) at Wikisource.
The poem, written in 1908 and privately published in 1912, was part of a collection titled The Desert. It caught the public attention and the popular imagination when King George VI quoted it in his 1939 Christmas broadcast to the British Empire. The poem may have been brought to his attention by his wife, Queen Elizabeth (the Queen Consort ).
Elizabeth Jane Coatsworth (May 31, 1893 – August 31, 1986) was an American writer of fiction and poetry for children and adults. She won the 1931 Newbery Medal from the American Library Association award recognizing The Cat Who Went to Heaven as the previous year's "most distinguished contribution to American literature for children."
A 30-minute television adaptation was created, originally broadcast on the PBS' children's series WonderWorks in 1982. The adaptation differs from the story in that the sun only appears every nine years, and the ending is expanded: the children atone for their horrible act by giving Margot flowers they picked while the Sun was out.
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Neutral Tones. "Neutral Tones" is a poem written by Thomas Hardy in 1867. Forming part of his 1898 collection Wessex Poems and Other Verses, it is the most widely praised of his early poems. [1] It is about the end of a relationship, and carries strong emotional appeal despite its "neutral tones".