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Early Christian art and architecture. Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century ...
e. Christian symbolism is the use of symbols, including archetypes, acts, artwork or events, by Christianity. It invests objects or actions with an inner meaning expressing Christian ideas. The symbolism of the early Church was characterized by being understood by initiates only, while after the legalization of Christianity in the Roman Empire ...
Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media . Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play ...
Halo (religious iconography) A halo (from Ancient Greek ἅλως (hálōs) 'threshing floor, disk'; [ 1][ 2] also called a nimbus, aureole, glory, or gloriole ( Latin: gloriola, lit. 'little glory') is a crown of light rays, circle or disk of light [ 3] that surrounds a person in works of art. The halo occurs in the iconography of many ...
The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity . In the early Church, Christians used the Ichthys (fish) symbol to identify Christian places of worship and Christian homes. [1]
The Lutheran churches, as they developed, accepted a limited role for larger works of art in churches, [1] [2] and also encouraged prints and book illustrations. Calvinists remained steadfastly opposed to art in churches, and suspicious of small printed images of religious subjects, though generally fully accepting secular images in their homes.
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