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Most common loudspeaker configuration for 5.1; used by Dolby Digital, SDDS, DTS, THX, and Dolby Pro Logic II. The white square in the center of the diagram depicts the low-frequency speaker. Each black square depicts a loudspeaker. The center speaker in the top line of the diagram is used for dialogue.
For Dolby Atmos, the nomenclature differs slightly by an additional number at the end, that represents the number of overhead or Dolby Atmos enabled speakers: a 7.1.4 Dolby Atmos system is a conventional 7.1 layout with four overhead or Dolby Atmos enabled speakers. [20][21] The simplest Dolby Atmos setup is 3.1.2, [22] the most complex one is ...
Traditional 7.1 surround speaker configuration introduces two additional rear speakers to the conventional 5.1 arrangement, for a total of four surround channels and three front channels, to create a more 360° sound field.
Most people will be satisfied with 5.1, but it’s possible to add two more speakers behind the listeners for a 7.1 setup. Add a second subwoofer, and you’re at 7.2. Want ceiling speakers?
Bass management. The fundamental principle of bass management (also called LFE crossover) in surround sound replay systems is that bass content in the incoming signal, irrespective of channel, should be directed only to loudspeakers capable of reproducing it, whether the latter are the main system loudspeakers or one or more subwoofers. [1]
Dolby Surround (1982) was the first home audio system to use a rear channel. It and its successor, Dolby Pro Logic (1987), used a single rear surround channel, but often using two speakers connected in anti-phase or a dipole radiator, as shown in the speaker configuration diagram to the right in gray.
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