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Totem poles ( Haida: gyáaʼaang) [1] are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the ...
Designated NHL. May 5, 1977. Designated CP. June 22, 1970. The Pioneer Square totem pole, also referred to as the Seattle totem pole and historically as the Chief-of-All-Women pole, is a Tlingit totem pole located in Pioneer Square in downtown Seattle, Washington . The original totem pole was carved in 1790 and raised in the Tlingit village on ...
Festival totem. Festival totems (sometimes known as doof sticks, rave totems, or rage sticks) are decorative objects, signs, toys, or symbols prominently displayed on poles by attendees at various music festivals and cultural events worldwide. Often seen in the crowds and campsites at large outdoor festivals, festival totems serve various ...
Journals. Religions. Social and cultural anthropology. v. t. e. A totem (from Ojibwe: ᑑᑌᒼ or ᑑᑌᒻ doodem) is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system. [ 1]
Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
e. A ceremonial pole is a stake or post utilised or venerated as part of a ceremony or religious ritual. Ceremonial poles may symbolize a variety of concepts in different ceremonies and rituals practiced by a variety of cultures around the world. In many cultures, ceremonial poles represent memorials and gravemarkers.
Poles are placed outside family houses where they display the family's crests, history, wealth, social rank, inheritance, and privilege. The sequence of characters and symbols sculpted into a totem pole is indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent.
Gʼpsgolox pole on the yard of the Ethnographic department of The Swedish Royal Museum in the city of Stockholm, 1929. The Gʼpsgolox totem pole was a nine-metre-high mortuary pole that was made in 1872 by the Haisla people on the shore of Douglas Channel in British Columbia, Canada. In 1929 it was brought to Sweden and the Museum of Ethnography.
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